VFX Workflows For The Visualization Artist<\/h2>\n
It\u2019s hard to escape the influence of visual effects in today\u2019s media, and today\u2019s top visualization shops are blurring the lines between feature film \/ television work and traditional architectural visualization (arch viz) work. Considering the common toolset used in both fields, it can be advantageous for visualization artists working in the architecture, engineering, and construction market to employ workflows developed in the entertainment field\u2014not only from an efficiency standpoint, but also potentially from an aesthetic standpoint. Employing some of the media and entertainment approaches can inject an otherwise unremarkable arch viz animation with more visual interest, leading to investor or sales videos that are more compelling. In this class we will examine some production-tested approaches using both old and new tools in 3ds Max software to create things like large crowds of people and quick water FX, as well as workflows used for working with large scene files.<\/p>\n
As a special treat, Brian Austin of The Animation Project has graciously decided to give up his raffle prize from last year and allow us to raffle it off, hopefully to one of you who has more of a need for it.\u00a0 The Prize in question comes from Thinkbox Software<\/a> and includes a full license of Krakatoa as well as Stoke, with a combined value of $1,595.\u00a0 For more info on these packages check out their site.<\/p>\n Given there is enough time after the main presentation, we will do an open forum Q&A about anything max related.<\/p>\n Eat and Greet: 7:00pm<\/p>\n Presentation Start: 7:30 pm.<\/p>\n 38 West 21st Street You must RSVP to attend and if you have not attended one of our prior events, you must also fill out our registration survey online prior to arriving.<\/p>\n * Required Fields: <\/p>\n<\/div><\/div>\nLocation:<\/h3>\n
\n9th Floor
\nNew York, NY 10011<\/p>\n
<\/span>RSVP<\/h3>